Occasional musings on ceramic art and technology.

the great 2010 ceramic objects giveaway

a bunch of pottery more pottery

My SO and I are moving. We have a whole lot of ceramic objects that we made. We would like to send them to people rather than find a new home for a giant stack of pottery in our new apartment. Please let us know what you want and we’ll send it to you!

Hers: http://www.flickr.com/photos/pamgriffith/sets/72157624185501258/
Mine: http://www.flickr.com/photos/zackw/sets/72157624186453266/

(Please post requests on the Flickr pages for the objects you want, if at all possible.)

EDIT 23 Jun 2010: This offer is no longer open. We have donated what hadn’t already been claimed to the San Jose chapter of Empty Bowls.

Print-on-demand mugs are not dishwasher safe

Photo of faded print-on-demand

This mug was designed by Steven Frank and printed by Zazzle. The top part of the design was much darker six months ago. Zazzle’s process appears to involve shrink-wrapping a layer of plastic over the mug and then printing on that; you can’t see it in the photo, but the plastic has started to peel off near the top of the handle. I have another such mug, printed using a different process in 2003 for the Stanford Film Society’s Film Our Way festival; it didn’t fade nearly as fast, and there wasn’t any plastic to peel off, but after seven years of use the design is almost gone.

The problem with these mugs is, the design is printed on top of the glaze. Truly permanent decorations on ceramic are either done with the glaze itself, or are inked directly on the unglazed piece and then covered by transparent glaze. Either way, the decoration happens before the glaze firing. Unfortunately, glaze kilns are typically designed to process hundreds of pieces per batch, and take several days to go through a complete cycle. That’s not practical for a print-on-demand outfit.

I think you could design a much smaller kiln, with space for just a few mugs, though. It’d be lined with fiberglass instead of firebrick, to reduce the thermal mass; since there’s no need for a reduction phase with clear glazes, it could use electric heat. It’s not possible to do a stoneware firing in less than about 24 hours start to finish, because the clay will crack if you heat or cool it too fast (this is why raku-glaze pieces are often fragile) but there would be no need for several days’ worth of cooling time as is typical for large batch kilns.